2,185 Free Images of Hand Colored Lithograph

hand-colored lithograph on paper the aboriginal portfolio lithographs in the smithsonian american art museum smithsonian american art museum james otto lewis ojibwa people lithograph prints in the yale center for british art yale center for british art potawatomi (people)hand-colored lithograph on wove paper

Fox-Hunting Sketches: No. 5. Whistle and I'll come to ye, my lad!, Hablot Knight Browne

lithograph prints in the yale center for british art hablot knight browne

Set of six with printed wrapper, Plate 1: The Adventures of a Fox by Moonlight, Thomas Mann Baynes, 1836

lithograph prints in the yale center for british art thomas mann baynes

ME-NO-QUET; A Distinguished Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

BILLY SHANE; A Shawnee Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-KAUN or the Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Lombard, North Point and Greenwich Docks, San Francisco Bay ., Hugo Wilhelm Arthur Nahl, 1857

realist landscape paintings hugo wilhelm arthur nahl

Set of six with printed wrapper, Plate 1: The Adventures of a Fox by Moonlight, Thomas Mann Baynes, 1836

lithograph prints in the yale center for british art thomas mann baynes

The Iron Yachts Mystery and Blue Belle in the Match Sailed May 23rd, 1843, Thomas Goldsworthy Dutton

lithograph prints in the yale center for british art thomas goldsworthy dutton

Set of six with printed wrapper, Plate 5: The Unsuccessful Pursuit of the Fox and Goose, Thomas Mann Baynes, 1836

lithograph prints in the yale center for british art thomas mann baynes

Set of six with printed wrapper, Plate 4: The Fox Escapes with Best Goose, Thomas Mann Baynes, 1836

lithograph prints in the yale center for british art thomas mann baynes

[Set of four] Sporting in the Scottish Isles: No. IV. Deer Hunting in the Paps of Jura, William Heath, 1835

lithograph prints in the yale center for british art william heath (artist)

The Whale Fishery, "Laying On", Nathaniel Currier, circa 1852

american prints in the brooklyn museum nathaniel currier

The yacht "Henrietta" 205 tons- modelled by Mr. Wm. Tooker, N.Y. built by Mr. Henry Steers, Greenpoint, L.I LCCN2002698873, Charles Parsons, 1867

19th-century chromolithographs 1867 lithographs

Winter Pastime, after F.F. Palmer, Nathaniel Currier, circa 1855

american prints in the brooklyn museum nathaniel currier

TA-MA-KAKE-TOKE or the Woman that Spoke First; A Chippeway Woman (mourning), from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TA-MA-KAKE-TOKE or the Woman that Spoke First; A Chippeway Woman (mourning), from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MI-A-QU‑A; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PACHE-E-PO; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-KAUN or the Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-A-JICK; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-CHE-CO; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

BREWETT; A Celebrated Chief Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAN-NO-SA-QUA; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CHA-CO-TO, A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-ME-ONE or Rain; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Rail Road Suspension Bridge Near Niagara Falls, Charles Parsons

niagara falls suspension bridge charles parsons (artist)

THE LITTLE CROW, A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAN-NO-SA-QUA; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CHA-CO-TO, A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-ME-ONE or Rain; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

ME-NO-QUET; A Distinguished Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MI-A-QU‑A; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Rail Road Suspension Bridge Near Niagara Falls, Charles Parsons

niagara falls suspension bridge charles parsons (artist)

To the Washington Light Infantry of Washington City, Alfred Hoffy, 1839

lithographs in the national gallery of art (washington, d.c.)alfred hoffy

Cincinnati in 1840 by John Caspar Wild, John Caspar Wild

cincinnati in the 1840s john caspar wild

Cincinnati in 1840 by John Caspar Wild, John Caspar Wild

cincinnati in the 1840s john caspar wild

Fox-Hunting Sketches: No. 6. Over the Hills and Far away. Yokel (To half-baked Stagger)., Hablot Knight Browne

lithograph prints in the yale center for british art hablot knight browne

Fox-Hunting Sketches: No. 9. The fences are very blind just now - and the riders too, occasionally, Hablot Knight Browne

lithograph prints in the yale center for british art hablot knight browne

The yacht "Henrietta" 205 tons- modelled by Mr. Wm. Tooker, N.Y. built by Mr. Henry Steers, Greenpoint, L.I LCCN2002698873, Charles Parsons, 1867

19th-century chromolithographs 1867 lithographs

NPG 99 167 42 Tshusick, Alfred Hoffy, 1838

smithsonian american women's history initiative national portrait gallery (united states)

Red Texas Wolf (Canis Lupus), John Woodhouse Audubon, 1845

canis rufus (illustrations)john woodhouse audubon

A Mid-day Halt on the Rio Trombutos, Brazil, George Catlin, ca. 1855-1860

lithographs by george catlin realism

Rudyard Kipling, William Nicholson

prints in the aberdeen archives, gallery and museums collection william newzam prior nicholson

Red Texas Wolf (Canis Lupus), John Woodhouse Audubon, 1845

canis rufus (illustrations)john woodhouse audubon

NPG 99 167 42 Tshusick, Alfred Hoffy, 1838

smithsonian american women's history initiative national portrait gallery (united states)

No-Way-Ke-Sug-Ga, Otoe, Alfred Hoffy, 1842

lithographs in the national gallery of art (washington, d.c.)alfred hoffy

Fox-Hunting Sketches: No. 7. "The very best run of the season" - and Tommy Dumphty has a capital view of it, Hablot Knight Browne

lithograph prints in the yale center for british art hablot knight browne

Attack by the English on Buenos Aires, 1807

files provided by the museo del bicentenario buenos aires in art

A Mid-day Halt on the Rio Trombutos, Brazil, George Catlin, ca. 1855-1860

lithographs by george catlin realism

Set of six with printed wrapper, Plate 3: The Fox Silently Entering the Poultry Yard, Thomas Mann Baynes, 1836

lithograph prints in the yale center for british art thomas mann baynes

Fox-Hunting Sketches: No. 9. The fences are very blind just now - and the riders too, occasionally, Hablot Knight Browne

lithograph prints in the yale center for british art hablot knight browne

Fox-Hunting Sketches: No. 7. "The very best run of the season" - and Tommy Dumphty has a capital view of it, Hablot Knight Browne

lithograph prints in the yale center for british art hablot knight browne

Fox-Hunting Sketches: No. 6. Over the Hills and Far away. Yokel (To half-baked Stagger)., Hablot Knight Browne

lithograph prints in the yale center for british art hablot knight browne

Extraordinary Express Across the Atlantic – Pilot Boat William J. Romer, Captain McGuire, Leaving for England February 9th, 1846, Nathaniel Currier

prints in the metropolitan museum of art nathaniel currier

PEN-NOW-WE-TA; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-EM-BOESH-KAA; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BA-SHAW; A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WADT-HE-DOO-KAANA; Chief of the Winnebagoes, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHE-SHEBA or The Little Duck; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

RICHARDVILLE; The Head Chief of the Miami Tribe of the Indians, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

AT-TE-CONSE or the Young Rein Deer; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Tah-Ro-Hon, An Ioway Warrior, Alfred Hoffy, 1838

lithographs in the national gallery of art (washington, d.c.)alfred hoffy

MAUCK-COOMAUN; A Celebrated Ioway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-O-TUCK-KEE; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Extraordinary Express Across the Atlantic – Pilot Boat William J. Romer, Captain McGuire, Leaving for England February 9th, 1846, Nathaniel Currier

prints in the metropolitan museum of art nathaniel currier

Rudyard Kipling, William Nicholson

prints in the aberdeen archives, gallery and museums collection william newzam prior nicholson

Rufous-breasted Bamboo Partridge (Bambusicola Hyperythra), John Gould

lithographs in the national gallery of art (washington, d.c.)lithographs by john gould and william matthew hart

Attack by the English on Buenos Aires, 1807

files provided by the museo del bicentenario buenos aires in art

The Horse Guards &c. from St. James s Park, Thomas Shotter Boys, 1842

prints in the metropolitan museum of art thomas shotter boys

SUN-A-GET or Hard Times; A Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MEN-DOW-MIN or The Corn; A Chippewa Dwarf, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MO-WAN-ZA or The Little Wolf; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WEESH-CUB or the Sweet; A Noted Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-O-TUCK-KEE; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

RICHARDVILLE; The Head Chief of the Miami Tribe of the Indians, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

AT-TE-CONSE or the Young Rein Deer; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Keokuk, Chief of the Sacs and Foxes, Alfred Hoffy, 1838

lithographs in the national gallery of art (washington, d.c.)alfred hoffy

NA-SHE-MUNG-GA, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Tah-Ro-Hon, An Ioway Warrior, Alfred Hoffy, 1838

lithographs in the national gallery of art (washington, d.c.)alfred hoffy

SHOUNK-CHUNK the Black Wolf; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHE-SHEBA or The Little Duck; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-SCHICK-EE; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CHAT-O-MIS-SEE; Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-TOP-E-NOT or the Eagle’s Bed; A Fox Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KER-O-MENEE; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BA-SHAW; A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

JACK-O-PA or the Six; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Rufous-breasted Bamboo Partridge (Bambusicola Hyperythra), John Gould

lithographs in the national gallery of art (washington, d.c.)lithographs by john gould and william matthew hart

FRANCIS GODFROY; A Celebrated Chief Among the Miamis, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KE-WA-DIN or the North Wind; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CHAT-O-MIS-SEE; Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-TOP-E-NOT or the Eagle’s Bed; A Fox Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KER-O-MENEE; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MISH-SHA-QUAT or the Clear Sky; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

JACK-O-PA or the Six; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-SCHICK-EE; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MAUCK-COOMAUN; A Celebrated Ioway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Keokuk, Chief of the Sacs and Foxes, Alfred Hoffy, 1838

lithographs in the national gallery of art (washington, d.c.)alfred hoffy

NA-SHE-MUNG-GA, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHOUNK-CHUNK the Black Wolf; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

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